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Read full story →I’m Caroline Crane — bestselling author of gothic suspense & psychological thrillers. 9 novels • 2M readers • 14 languages. I write about crumbling manors, buried secrets, and women who refuse to be ghosts in their own lives.
“A masterclass in dread and desire.” — 384 pages of family secrets, poisoned apples and a house that remembers.
Born in coastal Maine and raised on ghost stories, I spent my childhood in my grandmother’s Victorian house — the one with the locked attic and the orchard no one talked about. That house became every house in my books.
For two decades I’ve explored what scares us and what saves us: grief, sisterhood, obsession, home. My novels blend old-school gothic atmosphere with razor-sharp modern suspense — think Daphne du Maurier meets Gillian Flynn, with a dash of Shirley Jackson.
When I’m not writing, I restore antique keys, walk windswept cemeteries for “research,” and answer every reader letter by hand. I live in Vermont with my husband, two ravens (real, loud), and 4,000 books.
Each book stands alone, but sharp-eyed readers will find connecting doors — a shared town of Hollow Creek, a recurring black moth, and the Crane family curse that echoes through generations.
Three sisters return to sell the family orchard — only the trees won’t let them leave. My most personal book yet.
A true-crime podcaster rents a murder house for one night. She stays for a year. 320k copies sold.
Two best friends. One lighthouse. One lie that surfaces after 20 years. Edgar finalist.
Readers always ask where the dread comes from. Here’s my honest, messy, candle-lit process — the same I teach in my sold-out Hollow Creek Workshops.
I collect houses, letters, dreams. 90 days of walking, photographing, eavesdropping. Every novel starts with a place that won’t leave me alone.
First draft in 100 days, longhand, no editing. 80k words of glorious mess. I light the same cedar candle until it gutters.
Three brutal revisions. I cut 20%, add dread, interrogate every motive. Beta readers + my ruthless editor Mara.
Copyedit, cover séance, midnight launch in a real haunted house. Then I hand the nightmare to you — and start haunting again.
“Crane doesn’t write houses — she conjures them. I checked my locks twice and still kept reading.”
— The Midnight Review on Black Moth House“A masterclass in slow-burn dread. The Glass Orchard is her Rebecca for a new generation.”
— Literary Gazette“I finished at 3am, woke my husband, and made him promise we’d never buy a farmhouse. Five stars.”
— Maya R., verified reader12 cities, candlelit bookshops, secret excerpts, and the infamous key ceremony. 80% sold out — Vermont finale just added.
6-week online intensive. Plot, atmosphere, dread pacing. Includes live critiques from Caroline. Next cohort: November.
Writing diaries, deleted chapters, tour confessions, research trips to real haunted houses — plus first dibs on ARCs and secret endings. Click any story to read the full entry.
Transform Your Home Entertainment: Why IPTV is a Game-Changer for Sports Lovers In today’s fast-paced world, your home is more t...
Read full story →Deleted scenes, early covers, tour presales + annual ghost story only for subscribers.
No — every novel stands alone. But if you love Easter eggs, read in publication order: Widow’s Attic → Hollow Creek → Salt House → Drowning Tide → Black Moth House → Glass Orchard. You’ll spot the black moth and the Hollow Creek map evolving.
It’s inspired by five real Maine and Vermont towns, plus my grandmother’s house. I publish a hand-drawn map in each book — collectors frame them. The 2026 tour includes a real-life Hollow Creek walk in Stowe.
Every first-edition hardcover from the tour is signed and stamped with the orchard key. For book clubs (10+ readers), use the contact form below — I Zoom into 8 clubs a month, free, wine optional.
The houses I research are — I only write about places I’ve slept in. Black Moth House was drafted during three nights in a supposedly haunted rectory. I heard footsteps. My recorder caught a whisper. It’s in the audiobook.
Rights are handled seasonally — write via the contact section with your company, vision and timeline. Student and community theatre adaptations have a fast-track form; I say yes whenever I can.
Events, press, rights, book clubs & reader mail. I read everything — replies take 5–7 days during tour.
No newsletters unless you tick the box. No data shared, ever.